“I believe my collection was chosen because it’s different,” said Cavallin, whose designs stand out due to the unique materials used.
“I sourced leather from cars destined for the scrapyard.”
This decision was driven by several factors, including a desire to focus on sustainability, given that fashion is one of the most polluting industries.
The second reason for using repurposed materials was aesthetic. “Faux leather doesn’t give the same effect or quality as real leather, which is far superior,” she explained.
Armed with a screwdriver, Cavallin went to scrap yards to remove car seat covers, reusing the leather for her collection.
She combined it with neoprene made from recycled materials and added details in carbon fibre to evoke an industrial, automotive feel.
“The collection has a futuristic vibe inspired by streetwear, and the clothes are comfortable,” assured Cavallin.
While her style changes depending on what inspires her, there are recurring elements like edging and structured lines.
“My pieces have a signature look, even though they vary based on my sources of inspiration.”
Usually, it’s the natural world that sparks ideas for her next collection.
“Nature is definitely my main source of inspiration, but current events and architecture have also played a significant role.”
When it comes to the creative process, Cavallin doesn’t have a set routine. Sometimes she starts with a sketch, sometimes she moves straight from her imagination to draping calico fabric - known as ‘grandma’s cloth’ - on a mannequin.
Unlike many kids, Cavallin didn’t draw princesses or fairies. As her parents often recall, “She was already sketching clothes at six years old.”
Her passion for fashion never wavered, even when she tried to push it aside, because “the fashion world is highly competitive and tough”.
But instead of giving up, she enrolled at Box Hill Institute to chase a dream that has required plenty of hard work and study.
During her studies, she is gaining valuable experience working for Thomas Cook, an Australian fashion brand, where she’s training to become an assistant designer after her course.
By learning theory in class and applying it at work, Cavallin has built a unique skill set she hopes to take overseas.
“I’d love to travel to Europe, especially Italy, to be there and see things as they happen,” Cavallin revealed.
“Australia is so far away; everything arrives here late.”
Speaking of trends, Cavallin shared a tip that might help readers for next winter.
She believes we’ll see a lot of unexpected pairings with different textures coming together to create striking effects, particularly in accessories.
